That also comes through on
The Present which sees him past his electronic phase on albums such as Time Changes to a more orthodox role for piano trio – or quartet on ‘Fleurette Africaine’ and ‘The Club’ with the addition of a second drummer
Dion Parson. Broken rhythms are a feature of the title track which is contrasted by a straight ahead passage, while ‘Move On’ is a pensive mood piece that patiently unfurls over almost 10 minutes of quietly probing melodic improvisation. It’s in contrast to the explicit rhythms of ‘The Club’, but again deWilde resists the urge to leap headlong into the rhythmic surge, with a solo of great restraint.
That’s perhaps the key to this album; deWilde is in no hurry to "prove" anything, but instead shape the music into meaningful statements, such as ‘Late Late Blues’ which is a model of both restraint and economy. The album comes with a video of ‘The Present’. Review:
Stuart NicholsonThis review is taken from Jazzwise Issue #109, to read the most
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