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Instrument Update

June 2007 Jazz Instrument Update

Epiphone ES135

The stunning blueburst of this Limited Edition, Korean Custom Built ES 135 neatly reflects the instrument’s characteristics and credentials. The semi-acoustic slimline body with its Venetian cutaway and 3-ply plastic pick guard, has a laminated maple top and solid mahogany back and sides and offers just enough air space to open up the texture and timbre of the sound. And this 135 does have excellent acoustic properties even before you plug it in, with a tonality that is round and full bodied with good overall balance.

The bound rosewood fingerboard is set on a shallow ‘U’ maple neck and comes with 22 jumbo frets – with surprisingly little “pink” from the 18th to the 22nd. The head is standard swept Epiphone and holds the six chrome plated Grover machine heads. While down at the other end, the tailpiece is a simple double arm trapeze, which looks as though it could have been lifted straight out of the Gibson factory.

Adjustable tunematic bridges are standard fare on this type of guitar, and here the “house” Epiphone tunematic doesn’t disappoint. It is certainly built to a higher spec than those found on most guitars in this price bracket with no audible rattling or buzzing. The two Humbucking pick ups are “designed by Epiphone in the USA” and have alnico classic magnets, are double vacuum waxed and have enamel wire and give plenty of bite and punch. The 3-way switch on the top bout provides the usual rhythm combination and lead options. I was, however, a little disappointed with the tone pots, which we felt needed a broader dynamic range to both match the undoubted power of the pick ups and give the bridge pick up more of an edge. Overall though, this is an exceptionally fine and well finished instrument that plays like a dream.

Rosetti Series 7 -Rose Brass Trumpet

This Series 7 Trumpet is an elegant piece of kit and comes with a semi-soft moulded zippered case, with a useful zippered exterior pouch, top and side “grab” handles and shoulder strap. Made for the student and semi-pro markets, it is supplied with a standard 7 mouthpiece and has a Rose Brass lead pipe and bell which gives the instrument a smoother and darker overall delivery than it’s lacquer and silver plated sisters. That said, the Rose Brass has a bright tone and is very responsive, particularly at the bottom end where there is plenty of body. The top end is a little harder to drive, but we still reached top C with ease. Handling is excellent with a good balance, and while the instrument is light, it has a solid, substantial feel which is further enhanced by the quality valve block and the Z bracing. I am not entirely sure about the aesthetic mix of brass, silver brass and rose brass on the instrument – or the "squared off" main front crook, but that’s purely personal. This Rose Brass Series 7 certainly has the potential to deliver, and with a 3 mouthpiece you can get really mellow.

Roland FP4 Digital Piano

The FP4 is one of two new additions to Roland’s digital piano line (the other being the FP7). The FP4 is not only more streamlined that it’s bigger brother but is also much more affordable, making it the perfect choice for music students who need a great sounding, great feeling digital piano, but who don’t require the many features of the larger FP7. The new FP4 comes with a full 88 keys which includes the PHA alpha 11, a new compact version of the Progressive Hammer Action 11 keyboard technology found in the FP7. With a 128 voice polyphony and hundreds of new sounds, an easy to read onboard LED screen, a headphone jack and built in speakers, the FP4 is well worth checking out.

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June 2007 Jazz Instrument Update
 Instrument Updates
Instrument Updates

May 2008 Jazz Instrument Update

May 2008 Jazz Instrument UpdateWisemann FGL550 flugelhorn

If there were marks for quality of finish, this flugelhorn would be up there with the best of them. It also handles well and has a good balance. But although it’s good to see a well turned-out instrument, needless to say, I’m really more interested in the sound it produces and the quality of the various parts and fittings.
The supplied generic 7 mouthpiece is clean with a standard cup and no surprises. Playing the instrument produces a straightahead, brassy sound that is easy to control, but at the same time, not very subtle. There is no smokiness here. I even tried an alternative mouthpiece, but the 550 still produced the same sonic characteristics. Interestingly enough, driving the bottom end proved to be a real pleasure, as the 550 sailed through the lower register.

April 2008 Jazz Instrument Update

April 2008 Jazz Instrument UpdatePeerless Monarch KA guitar

The Peerless brand has been going from strength to strength since its instruments came on to the UK market just over a year ago. The Monarch, which is just one of the models in the jazz range, is a full 17-inch single cutaway and comes in all solid tonewoods with a rosewood fretboard, tailpiece and pick guard plus quality Grover machine heads. Originally available with just the standard Peerless floating pick up, it can now be purchased with a mellow voiced Kent Armstrong unit, hence the KA, which adds a whole new dimension to the dynamics of the instrument.

March 2008 Jazz Instrument Update

 March 2008 Jazz Instrument UpdateAkai EW1 - 4000S

The Akai EW1 4000S (pictured right) is an extraordinary piece of kit. An electric wind controller sound module, its fingering system incorporates touch sensitive note keys based on the same fingerings as those for the saxophone or clarinet, alongside its own idiosyncratic collection of plates, buttons and shift rollers. For instance, the octave shift rollers allow a player to shift pitch through an incredible eight octave range, while the adjacent glide plate gives a portamento effect, smoothly and continuously sliding the pitch up and down.
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