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Cleo Laine and John Dankworth - Double Top

Dame Cleo Laine and Sir John Dankworth both turned 80 recently, a milestone for the couple who for many years have personified British jazz internationally, receiving acclaim and honours frequently along the way. Still active on the scene they look back on a remarkable career with Stuart Nicholson, to the days when bebop was a new music heard at first hand by Dankworth in New York and to the days when he shared a stage with Charlie Parker and toured with Duke Ellington.

Reflecting on his long and distinguished career at The Stables, his home in Wavendon which he shares with his wife and singer Dame Cleo Laine, Sir John Dankworth is a natural raconteur who delights in serving well polished anecdotes from his remarkable musical past with a twinkle in his eye and a ready laugh. If anyone is after the secret of eternal youth, then they could do no better than drop in at the Stables to ask how it’s done. Both Dankworth and Laine may be celebrating their 80th birthday this year but you’d never guess it by looking at them. It’s as if, well, not quite eternal youth, but the gift of looking eternally fifty-something has been bestowed upon them.

Sitting in a large red armchair framed by an impressive stone mantelpiece in the lounge of his country retreat, Dankworth switches with ease from events in his still unfolding present to his past in another Britain and another lifetime. Often self-effacing and always modest, his natural authority makes it easy to see how he was once “the man” in British jazz. Back in the 50s as a young and gifted saxophonist and composer/arranger, he was the epitome of jazz-cool in a drab post-war London. With his trademark fedora he looked half Mafioso Don and half Jack-the-Lad.

After winning the Melody Maker “Musician of the Year” award in 1949, he emerged as a key mover and shaker in a London jazz scene picking up the pieces after the devastation of World War II. What he did and what he said was news, eagerly written up in the music press – want a quote on the value of the Anglo-American band exchange? Ask Dankworth and it makes front page news in Melody Maker.

This is an extract from Jazzwise Issue #113 to read the full feature and receive a Free CD Subscribe Here...

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Cleo Laine and John Dankworth - Double Top
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Jack DeJohnette - Rhythm Symbol

Jack DeJohnette - Rhythm SymbolMaster drummer Jack DeJohnette is part of a continuum in jazz that stretches back to the 1960s when the Chicagoan was a member of Charles Lloyd’s seminal quartet and when he made his debut as a leader. The line continued the next decade via Miles Davis and the groundbreaking album Bitches Brew, and then into the 80s and on with his own influential group Special Edition. With the foundation of the Keith Jarrett Standards Trio, which recently celebrated its 25th anniversary, a new chapter in both DeJohnette and Jarrett’s career began, the birth of a group that would revitalise the trio format and then influence a myriad of jazz trios keen to break the mould just as DeJohnette and Jarrett had done themselves.

Christine Tobin and Phil Robson - Coming of age

Christine Tobin and Phil Robson - Coming of ageDaring to be different, singer Christine Tobin is set to delve still deeper into the consciousness of her fans and newcomers alike if the arrival of her brand new album Secret Life of a Girl is anything to go by. An emotional and personal stirring, one step beyond her previous album, the dark Romance and Revolution, Tobin on Secret Life inhabits the world of the young characters in the songs, representing different stages of an untold story, an incipient self awareness and maturity. The album is released at a time when her partner and regular musical colleague, guitarist Phil Robson, releases Six Strings and The Beat, a Bartók-infused strings album flavoured by post-modern jazz and African music alike. Stuart Nicholson talks to the pair about the story behind their albums and their quest to follow the road less travelled while long time fan, Lionel Shriver, author of We Need To Talk About Kevin, describes her reactions to that voice.

Jason Moran - Sphere of influence

Jason Moran - Sphere of influenceMisunderstood in his own lifetime, but in time elevated to the pantheon of composers that make him as relevant today as he was in the heyday of bebop, the totemic presence and music of Thelonious Monk forms the bedrock of a new monumental work by Jason Moran. The pianist, who tours the UK this month, with an Anglo-US band, has taken Monk’s At Town Hall and reimagined it for the jazz of today. Kevin Le Gendre talks to Moran about how he got inside the mind of the one and only Monk.
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