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Instrument Update

October 2007 Jazz Instrument Update

Stagg EDB 3/4 Electric Double Bass

Let me first say that the Stagg EDB 3/4 electric Double Bass, should perhaps be renamed the EDB ‘Stick’ Bass. Like the electric bass guitar, it is essentially a completely different instrument, with sonic qualities in the bass register that are very different from the upright Acoustic Bass. The EDB provides a whole new dimension to the colour and timbre of sound, and like most ‘Stick’ basses has incredible sustain.

Where slurring and “wide” chords can open up the sound palette to a degree that is next to impossible to achieve with the Acoustic Bass. Picking up the EDB for the first time makes you a little suspicious of the sounds that it might produce – it’s very glossy and “plasticy”. Tuning up however turns out to be a piece of cake, especially when compared to tuning an Acoustic Bass.

Although the lightweight machine heads weren’t necessarily to our taste. The neck of the EDB is deeper than a conventional acoustic bass and the nut is substantially wider, which at first might seem awkward but believe me, playing it in does help.

There is a headphone socket so as not to upset the neighbours, and an MP3 “in” connection, um? Down below, the pick up is built into an adjustable bridge to translate the sound waves through the volume and sub-bass controls. The balance however was poor, with the higher pitched strings – particularly the G – sounding thin, while the low E was full and round but with a tendency to boom especially with added sub-bass.

“Live” also takes on a totally different meaning. The whole instrument comes alive when it is plugged in – providing all sorts of sound combinations. Which further reinforces the difference between this instrument and its acoustic cousin. They may be strung with a set of similar strings and tuned to the same pitch, but that’s where the similarities end. Make no mistake, the EDB is its own instrument, with its own peculiarities and sonic palette and with a very individual take on the bass register.

For more info go to www.emdmusic.com

Bach Strad 182 Bb Trumpet

This is a very pretty looking instrument, and almost looks too clean around the joints to be manufactured – as per engraving stamp – in the US. But this horn does feel substantial with a bell that seems stiffer than on a normal Bach and the plating is exceptional. So how does it blow? Yes, you’ve guessed it, it’s very, very user friendly, with no obvious vices, except perhaps being a little characterless – but it does what it’s supposed to do. And for a Bach 37 it sounds pretty good, with a solid Bach tone, offering a nice fatness as well as being bright. OK, it’s typically tight when pushed – but that’s a 37 for you, you either like it or you don’t. Splitting hairs, we felt the valves were a bit chunky, with pistons that perhaps weren’t up to the quality of the rest of the instrument but everything functioned perfectly. This is clearly an instrument that will suit the straight ahead player and will see any music student through college and on into the profession. And if they all come off the production line like our sample, they’re likely to be back ordered ‘til kingdom come. But don’t be looking for that magic individual, because we don’t think you’ll find one. Coming in the original hard shell case with stitched leather corners, it’s enough to bring tears to your eyes. www.vincentbach-ltd.co.uk

Ludwig Legacy Classic Drums

The hand crafted Legacy Classic line is based on a new and improved version of Ludwig’s legendary, reinforced 3-ply drumshells with their magical balance of warmth, resonance and clarity. Like the original shells, the exclusive Legacy Classic shells are made from thin, hand-selected inner and outer plies of premium-grade North American Maple and a ross-laminated North American Poplar core ply. This traditional formula is then augmented by maple reinforcement hoops and rounded, “Classic-Cut” vintage-style bearing edges. In addition to their performance proven traditional shell design, Legacy Classic also features newly developed manufacturing methods along with a host of upgrades and innovations, such as low-mass “mini-classic” lugs, traditional “keystone” badges and genuine Weathermaster drumheads. Due to their handcrafted, labour intense nature, there will initially be only two Legacy Classic shell-pack configurations offered. However, the kits will be available in a wide selection of finish options that include new high-gloss, hand-rubbed Emerald Fade Sparkle (EG) and Rose/Copper Sparkle (RG) lacquers as well as high-gloss versions of all current Ludwig Classic Maple lacquer finishes.

For info go to www.activemusic.co.uk

Browse the Jazzwise archive

October 2007 Jazz Instrument Update
 Instrument Updates
Instrument Updates

May 2008 Jazz Instrument Update

May 2008 Jazz Instrument UpdateWisemann FGL550 flugelhorn

If there were marks for quality of finish, this flugelhorn would be up there with the best of them. It also handles well and has a good balance. But although it’s good to see a well turned-out instrument, needless to say, I’m really more interested in the sound it produces and the quality of the various parts and fittings.
The supplied generic 7 mouthpiece is clean with a standard cup and no surprises. Playing the instrument produces a straightahead, brassy sound that is easy to control, but at the same time, not very subtle. There is no smokiness here. I even tried an alternative mouthpiece, but the 550 still produced the same sonic characteristics. Interestingly enough, driving the bottom end proved to be a real pleasure, as the 550 sailed through the lower register.

April 2008 Jazz Instrument Update

April 2008 Jazz Instrument UpdatePeerless Monarch KA guitar

The Peerless brand has been going from strength to strength since its instruments came on to the UK market just over a year ago. The Monarch, which is just one of the models in the jazz range, is a full 17-inch single cutaway and comes in all solid tonewoods with a rosewood fretboard, tailpiece and pick guard plus quality Grover machine heads. Originally available with just the standard Peerless floating pick up, it can now be purchased with a mellow voiced Kent Armstrong unit, hence the KA, which adds a whole new dimension to the dynamics of the instrument.

March 2008 Jazz Instrument Update

 March 2008 Jazz Instrument UpdateAkai EW1 - 4000S

The Akai EW1 4000S (pictured right) is an extraordinary piece of kit. An electric wind controller sound module, its fingering system incorporates touch sensitive note keys based on the same fingerings as those for the saxophone or clarinet, alongside its own idiosyncratic collection of plates, buttons and shift rollers. For instance, the octave shift rollers allow a player to shift pitch through an incredible eight octave range, while the adjacent glide plate gives a portamento effect, smoothly and continuously sliding the pitch up and down.
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