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Nick Smart Trio, Cafe Posk Saturday 17 Nov - London Jazz Festival
Trumpeter Nick Smart unveiled his latest project, a contemporary homage to Louis Armstrong, at the Posk jazz bar in West London’s Polish cultural centre as part of the London Jazz Festival. Featuring Paul Clarvis on drums and Hans Koller on Fender Rhodes the trio performed interesting yet very candid interpretations of Armstrong’s compositions and other tunes associated with the legend. The group opened with a buoyant rendition of the Hot 5’s classic ‘Muskat Ramble’ before plunging into Duke Ellington’s slow blues ‘Azalea’. Lester Bowie’s ‘For Louis’ featured a rousing trumpet and drums duet that built to a heightened frenzy before resolving with Koller’s dramatic entrance on Rhodes. ‘My Man’s Gone Now’, from Armstrong and Ella Fitzgerald’s recording of Gershwin’s ‘Porgy and Bess’, was given perhaps the most adventurous interpretation, with the leader spewing long wailing lines over an unsettling Latin feel brewed by Clarvis. The seasoned drummer constantly fed his band mates with energetic punctuations and shrewd use of space, his interplay with Koller a real highlight, particularly in moments where the leader happily sat out, nodding and smiling in appreciation as his companions jostled.
Smart’s playing too was strong and lyrical, his soloing on ballads and slower blues numbers a real feature. In his own composition ‘Russian Lullaby’, an aching ballad remembering the Russian-Jewish immigrant family who cared for Armstrong as a boy, the trumpeter blew with an unreserved intimacy openly revealing the importance of Armstrong on his own musical vision. Performed with a natural affinity and a veritable collective energy, the trio’s adaptations were fresh and innovative yet, thankfully, never strayed too far from the joyous simplicity of Armstrong’s music.
Michael Caratti
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 Last night The Neil Cowley Trio launched their new album
Loud…Louder…Stop! at trendy Shoreditch club Cargo, not usually the kind
of venue you’d expect to find a piano trio playing. But then they
aren’t your typical piano trio. As the audience files in there’s a
building sense of excitement and by the time Cowley and Co. take to the
stage the room is jammed full. “Aren’t you going to cheer us on?”
Cowley quips wryly. This sets the tone for the evening to follow, music
matching Cowley’s playful, fun and excitable personality. Basquiat Strings take the starkness of modern classical music and wrap
it around a subtly pervading jazz beat. But while they maintain the
haunting quality of classical string music, they generate an atmosphere
which is constantly disconcerting and pleasantly surprising.  With the raw expressionism of John Coltrane, the punchy ballistics of
Michael Brecker, the harmonic invention of Wayne Shorter: saxophonist
Dave Liebman tells the story of the modern jazz saxophone.
Particularly memorable was his meditative rendition of Coltrane’s
‘India’. As engaging as any solo was his magnanimous stage presence;
the hunched shoulders, the facial contortions and the limp. You could
feel the blood and sweat of an artist truly committed to what he really
believes is important.
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