My fears were unfounded as they put on another great, if ever so slightly less intense show. The general vibe and a few specific motifs referenced the
Polar Bear sound but there's a distinctly grittier funkier groove than the Londoners go for. Drummer
Clive Deamer's drive and feel was quite delicious, pushing the whole thing along with an uplifting, smiley vibrancy.
The Blessing have no overtly chordal instrument in the line-up. This gives the sound a sense of openness and provides plenty of harmonic freedom for the mash and interplay of the lines from sax player
Jake McMurchie and trumpeter
Pete Judge. I loved the shamelessly bright and aggressive tone of bassist
Jim Barr. It's refreshing to hear such unabashed plectrum riffing in the context of a jazz set.
Much of the material had Caravan-esque 'fez' minor movements reminiscent of Parker's 'Night in Tunisia' and tunes of that ilk. One or two rockabilly shuffles sneaked in occasionally and there was some prodigious use of noise terror delay effects to keep the tonalities suitably off balance. Pizza referencing track titles delivered with suitably laconic dryness from Mr. Barr completed the left field nudge of this cool little combo.
Review:
Adrian Stevenson