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The Blessing, Matt and Phreds Jazz Club, Manchester, 30 January 2008

Word had clearly got around that this visit to Manchester from Bristol based
quirksters The Blessing was worth checking out and being favoured by luminaries including Portishead and Robert Plant no doubt assured a degree of interest from outside the usual jazz rank and file. I caught The Blessing down in Bath a few weeks ago and was very impressed but uncertain whether they could whip up a similar storm on an away match.

My fears were unfounded as they put on another great, if ever so slightly less intense show.  The general vibe and a few specific motifs referenced the Polar Bear sound but there's a distinctly grittier funkier groove than the Londoners go for. Drummer Clive Deamer's drive and feel was quite delicious, pushing the whole thing along with an uplifting, smiley vibrancy.

The Blessing have no overtly chordal instrument in the line-up. This gives the sound a sense of openness and provides plenty of harmonic freedom for the mash and interplay of the lines from sax player Jake McMurchie and trumpeter Pete Judge. I loved the shamelessly bright and aggressive tone of bassist Jim Barr. It's refreshing to hear such unabashed plectrum riffing in the context of a jazz set.

Much of the material had Caravan-esque 'fez' minor movements reminiscent of Parker's 'Night in Tunisia' and tunes of that ilk. One or two rockabilly shuffles sneaked in occasionally and there was some prodigious use of noise terror delay effects to keep the tonalities suitably off balance. Pizza referencing track titles delivered with suitably laconic dryness from Mr. Barr completed the left field nudge of this cool little combo.

Review: Adrian Stevenson

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The Blessing, Matt and Phreds Jazz Club, Manchester, 30 January 2008
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Neil Cowley Trio – Cargo, London 2/4/08

Neil Cowley Trio – Cargo, London 2/4/08Last night The Neil Cowley Trio launched their new album Loud…Louder…Stop! at trendy Shoreditch club Cargo, not usually the kind of venue you’d expect to find a piano trio playing. But then they aren’t your typical piano trio. As the audience files in there’s a building sense of excitement and by the time Cowley and Co. take to the stage the room is jammed full. “Aren’t you going to cheer us on?” Cowley quips wryly. This sets the tone for the evening to follow, music matching Cowley’s playful, fun and excitable personality.

Portico Quartet plus Basquiat Strings - Union Chapel, London Friday 22 February

Portico Quartet plus Basquiat Strings - Union Chapel, London Friday 22 FebruaryBasquiat Strings take the starkness of modern classical music and wrap it around a subtly pervading jazz beat.  But while they maintain the haunting quality of classical string music, they generate an atmosphere which is constantly disconcerting and pleasantly surprising.

Dave Liebman/Phil Robson Quartet, RNCM, 31 January 2008

Dave Liebman/Phil Robson Quartet, RNCM, 31 January 2008With the raw expressionism of John Coltrane, the punchy ballistics of Michael Brecker, the harmonic invention of Wayne Shorter: saxophonist Dave Liebman tells the story of the modern jazz saxophone. Particularly memorable was his meditative rendition of Coltrane’s ‘India’. As engaging as any solo was his magnanimous stage presence; the hunched shoulders, the facial contortions and the limp. You could feel the blood and sweat of an artist truly committed to what he really believes is important.
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