Phil Haynes: No Fast Food
A McDonalds-free 2-CD live session served up by a versatile percussionist's trio with big guns for company, in Dave Liebman...
Reviewed by Selwyn Harris in issue: Dec/Jan/2014/2015
Rempis/Piet/Daisy: Throw Tomatoes
Vandermark 5 saxophonist Dave Rempis heads a Chicagoan free jazz trio romp with Matt Piet and Tim Daisy on a...
Reviewed by Selwyn Harris in issue: August/2018
Nicole Johänntgen: Moncaup
Awarded the seal of approval by her mentor Dave Liebman, this energetic German saxophonist plays exhilaratingly funky post-Coltrane soprano with...
Reviewed by Selwyn Harris in issue: July/2015
Péter Rozsnyói Trio: Pain of an Angel
The Budapest Music Center which has a pivotal role in promoting quality new Hungarian jazz, releases an easy going swingin’...
Reviewed by Selwyn Harris in issue: May/2016
George Russell Sextet/Septet: Complete 1960-1962 Decca & Riverside Album Collection
Although he would not have agreed, it may be that Russell was at his most influential during this period. Not...
Reviewed by Brian Priestley in issue: April/2015
Jon Lucien: I Am Now
Originally released in 1970, Jon Lucien's debut I Am Now veers unpredictably between the great, the overblown and the frankly...
Reviewed by Peter Quinn in issue: June/2011
Hanging Hearts: Into a Myth
The Chicago-based Chris Weller is a saxophonist in his city's gutsy tenor mould and his trio collective pumps out a...
Reviewed by Selwyn Harris in issue: August/2017
Devin Gray: Dirigo Rataplan
The Brooklyn-based drummer's quartet features a few top dogs on the experimental downtown scene in Ellery Eskelin, Michael Formanek and...
Reviewed by Selwyn Harris in issue: October/2018
Brubeck Brothers Quartet: Timeline
In marking the 60th anniversary of their dad's momentous Cold War tour around the globe (the topic for a recent...
Reviewed by Selwyn Harris in issue: July/2018
Food: This is Not a Miracle
Christian Fennesz | Iain Ballamy | Thomas Strøenen
Formed in 1998, the Anglo-Norwegian jazz electronica ensemble Food are one of the leading European exponents of post-clubland, experimental jazz...
Reviewed by Selwyn Harris in issue: Dec/Jan/2015/2016
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