Phil Donkin: Walk Alone
Solo jazz/improv bass records are not plentiful - Barre Phillips may have been the first with his seminal 1968 Journal...
Reviewed by Eddie Myer in issue: July/2023
Bobby McFerrrin: Spirit You All
The recent UK premiere of this music at the Barbican was a joyous affair and thankfully it translates well to...
Reviewed by Kevin Le Gendre in issue: September/2013
Ethan Iverson: Technically Acceptable
Ethan Iverson | Kush Abadey | Rob Schwimmer | Simón Willson | Thomas Morgan | Vinnie Sperrazza
The pianist-composer Ethan Iverson, since parting company with The Bad Plus in 2017, has been maintaining a steady profile with...
Reviewed by Selwyn Harris in issue: February/2024
Rudy Linka: Acoustic and Electric Retrospective
Lavishly packaged, with impressive portraits of a range of Linka's guitars, shots from studio recordings and ample coverage of his...
Reviewed by Andy Robson in issue: July/2014
Will Vinson: Four Forty One
Will Vinson, an alto sax specialist originally from London who moved to New York exactly two decades ago, has managed...
Reviewed by Selwyn Harris in issue: May/2020
Anoushka Shankar: Land of Gold
To my mind, Land of Gold is Anoushka Shankar's most realised and adventuresome, non-classical project of her career thus far....
Reviewed by Ken Hunt in issue: October/2016
John Stein: Lifeline
We reviewed Kansas City guitarist Stein's Whaling City Serendipity CD favourably in our October 2021 issue, while admitting that his...
Reviewed by Peter Vacher in issue: October/2022
Brad Mehldau: Largo
Brad Mehldau’s eclecticism is now something of a given – recent releases such as Jacob’s Ladder and Finding Gabriel have...
Reviewed by Mike Flynn in issue: August/2023
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