Eif Caglar: Misfit
A persuasive singer-songwriter from Turkey (with band featuring Eric Harland and Aaron Parks) with affiliations to 1970s jazz era Joni...
Reviewed by Selwyn Harris in issue: June/2016
Sammy Price: Three Classic Albums Plus
Boogie and blues specialist Price led some fine sessions, the highlights here being his sextet’s collaboration with Sidney Bechet, plus...
Reviewed by Alyn Shipton in issue: September/2019
Gareth Lockrane Big Band: Fistfght at the Barn Dance
This is the first call London-based flute specialist and composer Gareth Lockrane's long awaited Big Band debut release on Michael...
Reviewed by Selwyn Harris in issue: September/2017
Robert Glasper: Black Radio
This is not a jazz album as such. Debate over whether it even belongs in these pages may well consume...
Reviewed by Kevin Le Gendre in issue: February/2012
Carsten Dahl Trio: Simplicity
A piano trio of two decades is a rare thing but Danish pianist Dahl's new record has all the advantages...
Reviewed by Selwyn Harris in issue: April/2017
The Stryker/Slagle Band (Expanded): Routes
Saxophonist Steve Slagle is a leading member of the Mingus Big Band and co-leads this post-bop big band with the...
Reviewed by Selwyn Harris in issue: April/2016
James Moody: Four Classic Albums
The surprise of these 1955-57 sessions is that they are essentially small band swing, plus a bit of bebop phrasing...
Reviewed by Alyn Shipton in issue: February/2020
Benjamin Drazen: Inner Flights
Benjamin Drazen | Carlo De Rosa | Eric McPherson | Jon Davis
Last year, there seemed to be a brilliant new Cuban pianist every month. Since then, there's been a flurry of...
Reviewed by Tony Hall in issue: June/2011
Andy Scott + Group S: Ruby and All Things Purple
Formed in 1995, saxophonist Andy Scott's Manchester-based SaxAssault has recently changed its name to Group S to reflect the less...
Reviewed by Selwyn Harris in issue: May/2017
Wolff Parkinson White: Favours
Oddly but attractively packaged in a spongey red material, this CD has an undiluted yet overactive contemporary improv-electronica as backdrop...
Reviewed by Selwyn Harris in issue: March/2020
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