Reviews
Taku Sugimoto and Takashi Masubuchi: Live At OTOOTO & Permian
Renowned Japanese electric guitar master Sugimoto (best known for 1990s improv albums like Opposite as well as recordings on his...
Reviewed by Kevin Whitlock in issue: April/2021
New Faces: New Sounds
Young Generation jazz with old generation vibes; a New York sextet formed as a showcase for young talent with a...
Reviewed by Selwyn Harris in issue: April/2021
The Dave Gisler Trio with Jaimie Branch: Zurich Concert
For the follow-up to their 2018 debut, Rabbit On The Run, Zurich-based guitarist Dave Gisler's trio present the entirety of...
Reviewed by Daniel Spicer in issue: April/2021
Maynard Ferguson: Live and Well In London
I think this is what they call a near miss. A limited edition with a run of just 500 copies,...
Reviewed by Simon Spillett in issue: April/2021
Georgia Mancio & Alan Broadbent: Quiet Is The Star
A follow-up to their outstanding Songbook album released in 2017, Quiet Is The Star presents a further nine beautifully crafted...
Reviewed by Peter Quinn in issue: April/2021
Stefano Di Battista: Morricone Stories
How do you pay fitting tribute to Ennio Morricone, the great Italian composer who died in July last year? For...
Reviewed by Robert Shore in issue: April/2021
Tina Brooks: The Waiting Game
Quite why Alfred Lion chose to hold back three out of four albums he recorded with tenor saxophonist Harold Floyd...
Reviewed by Jon Newey in issue: April/2021
Isfar Sarabski: Planet
It could be argued that major labels, with few exceptions, have always had the tendency to follow, rather than take,...
Reviewed by Selwyn Harris in issue: April/2021
Menagerie: Many Worlds
This Melbourne-based ensemble, whose last album, 2017's Arrow of Time, picked up plenty of plaudits over here (Gilles Peterson, Jamie...
Reviewed by Kevin Whitlock in issue: April/2021
Rawfrücht
This overlooked debut from 1990s Belgian guitars -and-drum trio Rawfrücht turns out to be a hidden gem. Climb aboard the...
Reviewed by Edwin Pouncey in issue: April/2021
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