Jasper Høiby unveils Qualia at The Vortex
- Thursday, January 14, 2016
Bassist and bandleader Jasper Høiby wears a well-earned smile.
Bassist and bandleader Jasper Høiby wears a well-earned smile.
What defines the festive in festival is not hard to discern.
At just 22 years of age, Cuban singer Daymé Arocena is proving to be one of Gilles Peterson’s most precocious finds.
Chris Mapp was one of three ‘Fellows’ (the other two were Lauren Kinsella and Yazz Ahmed) supported in 2014/15 by Birmingham promoters Jazzlines, with financial support from the Jerwood Charitable Foundation.
It isn’t unusual at events such as the London Jazz Festival that you come across at least one new and talented artist.
Curated by the award winning jazz vocalist, lyricist, lecturer and theatre director, Filomena Campus, the final night of the third annual Theatralia Jazz Festival saw an adapted jazz version of the theatre production Misterioso, A Journey into the Silence of Thelonious Monk, featuring a script by the renowned Italian writer, poet and journalist, Stefano Benni.
The EFG London Jazz Festival’s final day allowed the fleet of foot and this reporter to speed across the capital to embrace jazz in its period glory and then to take in a bracing look at the music today.
Hosted in the city’s Cultural Centre and featuring a line-up of artists that would put many much larger festivals to shame, Pančevo, a small city just 22km outside of Belgrade, seems to have managed the neat trick of striking the right balance between funding, artistic integrity and admission price to produce a classy event.
The Cuban Mela was inarguably the LJF’s most vibrant closing event.
If there is such a thing as the short straw for improvising musicians it may well be a booking in the days immediately after the London Jazz Festival.