Irene Serra’s -isq lift off at Pizza Express album launch
- Thursday, April 30, 2015
Squeezed into a packed house, last night I watched this refreshingly different jazz band present their latest album, -isq too.
Squeezed into a packed house, last night I watched this refreshingly different jazz band present their latest album, -isq too.
Already hailed as one of the best 10 jazz albums of 2015 by The Telegraph and having being pronounced Album of the Week by the Evening Standard, bandleader Clément Régert was naturally in high spirits the night of his album launch at the Polish Culture Centre’s fantastic West London jazz club earlier this month.
Rain stopped play, well, almost. Or intermittently, at least.
Spring heralds the welcome arrival of many elusive species to the coast; this is the second appearance this year by rarely-sighted Sussex altoist Geoff Simkins (pictured top), the first being his memorable double-header with Bobby Wellins at the inaugural South Coast Jazz Festival in January.
The second set did not get underway especially auspiciously, drummer Tim Giles having seemingly mislaid his pint, reluctantly abandoning the search in order to join the other members of the band onstage.
Dave O’Higgins takes to the stage wearing a natty brown pinstripe and an air of unshakeable confidence; behind him, Geoff Gascoyne exudes a similarly relaxed gravitas on bass; it’s apparent that these gentlemen mean business.
With a Gareth Lockrane gig you always get more than you bargained for: the latest outing of his Big Band at Ronnie’s on Sunday night amounted to two-and-a-half hours of tasty originals, each given an epic 18-piece treatment in front of a packed house.
This is the third in a trio of vocal-led Sunday lunchtime gigs I’ve attended at the Pizza Express Jazz Club in the last few weeks, and it was easily the most ambitious of the three.
Photo: © Ragnar Berthling Hear Here, Café Oto, London If there is a dress code at all in the avant-garde then it is presumably not a black T-shirt, jeans, swirl around the bicep tattoo and nose ring.
Sub-titled ‘Count Basie: Kansas City to New York’ this was another in the occasional series of RAM big band concerts devoted to the swing-era repertoire, curated and directed by jazz authority Keith Nichols, who teaches jazz history there.