Borbetomagus bring the ruckus with documentary and vinyl in 2016
- Monday, November 30, 2015
This year promises to be a decidedly busy and pivotal one for free improvising noise vets Borbetomagus.
This year promises to be a decidedly busy and pivotal one for free improvising noise vets Borbetomagus.
Among the chief draws at Streatham’s award-winning Hideaway venue next month are performances from soulful swing sensations The Filthy Six, a big band blast from the Vince Dunn Orchestra and a two-day stay from British sax legend Courtney Pine.
If a learned friend informed you a year ago, dear readers, that the album of 2015 might possibly be a triple concept album by a previously unknown artist who insisted on giving the whole shebang a title so toweringly grand and top heavy it would have had the Trade Descriptions Act office crawling all over it, you would have been on the phone immediately booking said learned friend into the Priory for a somewhat extended stay.
Premier vinyl vendors Turnstyle Records of Streatham, London have a series of special happenings cooking in their pipeline.
Leading UK saxophonist Julian Argüelles is set to perform the full UK premiere of his acclaimed album Let It Be Told, with a headline performance at next year’s Cheltenham Jazz Festival, which runs from 27 April to 2 May 2016.
Radio 3 has announced a special season of programmes with a distinctly arctic feel for the beginning of December.
A vibrant mix of big name heavy hitters and cutting edge collaborations are among the first names announced for the 2016 Gateshead International Jazz Festival, which runs from 15-17 April at the Sage Gateshead.
With the dates confirmed for the fourth edition of the Love Supreme Jazz Festival, which will run from 1-3 July 2016, in the idyllic surroundings of Glynde Place in East Sussex, jazz fans can now purchase discounted ‘early bird’ tickets.
Ask Your Mama: 12 Moods For Jazz, an epic poem about the struggle for artistic and social freedom experienced by Africans and black Americans during the early 1960s, was never performed in Langston Hughes’ lifetime.
There’s a rich tradition of mentoring in jazz.