Cindy Douglas: My New Jive
Cindy Douglas | Dominic Howles | Jeff Lardner | Tim Richards
Displaying impressively voracious musical tastes, this debut album from vocalist Cindy Douglas explores everything from bebop to swing to world...
Reviewed by Peter Quinn in issue: July/2012
Mark Hauser Quartet: It's all About the Journey
No lack of enthusiasm involved but little to really enthuse about on this Swiss, Kenny Garrett mentored alto saxophonist-composer's new...
Reviewed by Selwyn Harris in issue: February/2016
Benny Goodman: The Complete Benny In Brussels
Originally out on Columbia, and most recently reissued by Avid, this 1958 World’s Fair set by a latterday Goodman band...
Reviewed by Alyn Shipton in issue: March/2016
Weather Report: The Columbia Albums 1976-1982
Who says the UK does weather? Originally released in the USA a year ago this fine box set, which could...
Reviewed by Jon Newey in issue: March/2013
Annie Laurie: The Annie Laurie Collection 1945-62
The lusty-voiced Laurie came to fame in New Orleans R&B circles, her career on record initially instigated and overseen by...
Reviewed by Peter Vacher in issue: July/2022
David ‘Fathead’ Newman: The Soulful Mr. Newman
David Newman died just a month after the final album (The Blessing) included in this compilation of his decade of...
Reviewed by Tony Hall in issue: March/2012
Dieter Ilg: Dedication
The 60-year-old German bassist Ilg has worked with many and varied leaders such as Randy Brecker, Charlie Mariano, Albert Mangelsdorff...
Reviewed by Brian Priestley in issue: March/2022
Milt Buckner: Mighty High/Midnight Mood
Organ jazz by Buckner at the height of his powers, aided by Kenny Burrell on the first of the two...
Reviewed by Alyn Shipton in issue: November/2013
Jason Sharp: A Boat Upon its Blood
With music centred on slowly evolving Ligeti-like, throbbing textural blocks of sound, this Montreal saxophonist draws from both acoustic and...
Reviewed by Selwyn Harris in issue: October/2016
Lighthouse Trio: Lighthouse
Asaf Sirkis | Mark Wingfield | Markus Reuter
From the hand-stopped inside piano ostinato and urban percussion opening of the first cut ‘Space Junk’, it is evident that...
Reviewed by Alyn Shipton in issue: April/2018
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