CeCe Gable: More Than a Song
Well-respected on the cabaret jazz circuit, the singer nevertheless is working in a creative setting, her engaging conversational tone and...
Reviewed by Selwyn Harris in issue: September/2020
Maurizio Grandinetti: Seek
A Swiss-based guitarist who draws from minimalism, ambient and abstract improv, though it's the track ‘Take Life as a Slow...
Reviewed by Selwyn Harris in issue: April/2017
Burak Bedikyan: Leap of Faith
Doug Weiss | Eric Alexander | Johnathan Blake
Burak Bedikyan is a Turkish jazz pianist who pledges allegiance to the bebop masters from Bud Powell through to the...
Reviewed by Stuart Nicholson in issue: August/2019
Carmen Lundy: Changes
In an age in which every chanteuse fresh out of music college thinks themselves to be Billie Holiday, a new...
Reviewed by Peter Quinn in issue: March/2012
Michael Dease: All These Hands
Trombonist Michael Dease's octet (with alto-saxophonist Steve Wilson and pianist Renee Rosnes) takes us on an interesting historical travelogue through...
Reviewed by Selwyn Harris in issue: March/2017
The Stanley Clarke Band: The Message
Clarke is and will forever be a hero, but you've gotta wonder about the message of The Message. It reads...
Reviewed by Andy Robson in issue: September/2018
Emilio Solla y La Inestable de Brooklyn: Second Half
Solla is Argentinian-born but based in New York and has led his nine-piece orchestra there with these first-call players since...
Reviewed by Peter Vacher in issue: September/2015
Jim Mullen Reunion Quartet: String Theory
Glaswegian guitarist Jim Mullen recently reformed his quartet with Gareth Williams, Mick Hutton and Gary Husband for a Jazz Services-supported...
Reviewed by Robert Shore in issue: May/2015
Jon Lucien: I Am Now
Originally released in 1970, Jon Lucien's debut I Am Now veers unpredictably between the great, the overblown and the frankly...
Reviewed by Peter Quinn in issue: June/2011
Martin Archer and Engine Room Favourites: Bad Tidings from Slackwater Drag
Two discs of ambitious and diverse music, inspired by AACM and the notion of moving beyond abstraction by drawing on...
Reviewed by Marcus O'Dair in issue: May/2015
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