Paul Bley: Play Blue-Live in Oslo
Bley's gentle subversion of established jazz practice in the mid-1960s on albums such as Closer on the ESP label appeared...
Reviewed by Stuart Nicholson in issue: May/2014
Mick Foster: Live at The Vortex
Like many baritone players, Foster seems able to fit into any number of different situations. I've seen him with the...
Reviewed by Peter Vacher in issue: November/2020
Danilo Pérez, John Patitucci & Brian Blade: Children of the Light
Brian Blade | Danilo Pérez | John Patitucci | Sachi Patitucci
Pérez, Patitucci and Blade came together as Wayne Shorter's rhythm section in 2000. Children of the Light is the first...
Reviewed by Stuart Nicholson in issue: October/2015
Gary Burton Quartet: Duster/Country Roads & Other Places
Gary Burton | Jerry Hahn | Larry Coryell | Roy Haynes
Several labels have chimed-in during recent times with reissues of Burton's precocious work as a teenager when contracted to RCA...
Reviewed by Stuart Nicholson in issue: November/2014
Zoot Sims: Zoot Sims Quartet
It's a given that Zoot Sims is on top of his game during these two performance taped at the famed...
Reviewed by Roy Carr in issue: April/2013
Gilad Hekselman: Far Star
Considering the astonishing fluency of his improvising, pure tone, Pat Metheny-inflected composing muse and partnerships with a raft of New...
Reviewed by John Fordham in issue: July/2022
Steve Plews/Ed Jones: Derelict
Saxophonist Ed Jones' tough tenor sound has been a solid presence on the UK gig circuit since the acid jazz...
Reviewed by Daniel Spicer in issue: February/2014
Ahmad Jamal: Macanudo
You might think the Jazzwise office is testing my resistance to Jamal, just like when they sent Roy Carr one...
Reviewed by Brian Priestley in issue: September/2014
Oddgeir Berg Trio: In The End Of The Night
The second album by this Norwegian acoustic/electric trio injects elements from classical music, singer-songwriter rock and post-EST piano jazz into...
Reviewed by Selwyn Harris in issue: June/2019
Pierrick Pedron: Cheerleaders
This Brittany-based saxophonist’s arrangements for brass, choir and his quintet have a raw quality about them and are an odd...
Reviewed by Selwyn Harris in issue: October/2011
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