Led Bib's lyricism can be lost in their reputation for attack. Their bassist Liran Donin, though, is all melody and emotion on this debut for his own music. Steeped in his complex Israeli background, it's a cultural and musical statement of fierce beauty. Words were written then removed for what are very much songs, addressing the personal and political in a world in which the band's strong name, 1000 Boats, brings to mind drowned refugees. There's no despair, though, as the sustained poignancy of Donin's duet with pianist Maria Chiara Argirò on ‘The Story of Annette and Morris’ gains a surge of new life from the quintet. The pair's bright intuition is reinforced by drummer Ben Brown in a supple rhythm section which goes far beyond that role. The saxes lay in wait as reinforcements, as when they add a whirlwind, driving swirl to ‘Noam, Sand and Sea’. ‘Tel Aviv to Ramallah’ introduces more shadowy hustle and flow to a journey down that troubled road, Donin's bass sticking and sinking as cymbals softly hiss, and the saxes sustain hope on what the fadeout suggests is an ongoing journey. There's a fragment of Afro-Cuban drums during the loving intensity of ‘Alma Sophia’, and a bent Donin note at the start of the most joyously Jewish tune, ‘Gal and Osh’, marked by his melodic statement, the alto's scream, and burning energy. The brittle, anxious bass of ‘New Beginnings’ becomes a Radiohead-recalling epic, and a bonus ninth song, the feminist-minded ‘Free’, finishes in harmonious, chanted prayer. The virtues of melody and direct emotion are their own rewards on a purging, uplifting record.