Mathisen and Espen Berg Trio triumph at Trondheim
- Monday, July 11, 2016
There are empty rows in the riverside Dokkhuset during native sax king Marius Neset’s exhilarating finale.
There are empty rows in the riverside Dokkhuset during native sax king Marius Neset’s exhilarating finale.
Revisiting old haunts can be a let-down.
If the much maligned technocrats of the Brexit-bashed EU wanted to have a coherent Union in Europe then this adventurously programmed festival would be music to their ears, jazz being the universal language rather than the common market.
Generations of musicians and music lovers from across the globe filled the hall at the Barbican to witness this concert, convened in honour of one of the 20th century’s most talented and influential musicians.
“Thinking what I will use/to get the cool tone”, sang the great singer-songwriter Stephen Stills during ‘Piece of Me’, a cut from his 2005 release Man Alive!.
Show tune is a vague term.
Randy Weston (above) was there, folding his lanky 90-year-old frame onto a stool at a baby grand and smiling as his longtime sidemen, double bassist Alex Blake and saxophonist/flautist T.
So widespread is the phenomenon of the jazz festival throughout Europe that it is easy to forget that older forms of black music also command the faithful from Sicily to Scandinavia.
There are certain people who have fallen under the radar as far as popular recognition is concerned, but ask any Soho-ite or working musician and they will confirm their admiration and respect for pianist Kenny Clayton.
The synergy between ex-prog rock guitarist Johnathan Kreisberg’s quartet and The Spin audience in Oxford was palpable during what was only one of three UK stops on his European tour.